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Cheers for a totally captivating article of the wonders of sheer genius with spirit!!!
It is a lean list of fates worse than having to listen to Eric Owen Moss listen to himself talk. He is a perfect stereotype of the Architect Blowhard, collecting titles and quotations as a transparent attempt to assert his dominance over anyone unfortunate enough to be within earshot. His one-dimensional single serving "buildings", especially, manifest his futile hope that one sentence snippets of inanity will bestow upon him your awe.
The brilliant Christopher Hawthorne actually dims in the presence of Moss, and seems to apologize for writing about such an empty shell from the very first line of the article. The fact that Moss is trying to take credit for the resurgence of Culver City is equal parts hilarious and horrific.
Living in Culver City as it began to transform from just a place to someplace, one could witness first hand the grassroots community effort that went into making the city a vibrant center for art and culture. Eric Owen Moss' compound of follies and sculptural office buildings spurns this type of one-foot-in-front-of-the-other pragmatism, nor do his personal playthings physically relate in any way to the recently energized Culver City downtown. That takes effort in such a small area, an effort that Moss is amusingly ready to disown, now that it has become clear that the communal neighborhood attentions by others have paid dividends.
Moss suddenly wants his garden gnomes to be part of it instead of apart from it. Like a child in a sandbox, he looks jealously at the other kids playing their game without him. So he tries to brand himself as a "man with the city," and his attempt to suddenly embrace this place he has worked so vigilantly to wall himself off from for the past 20 years exposes the truth of his fickle, self-aggrandizing nature. In an irony completely lost to Eric Owen Moss, the real Culver City has become the very collaborative organization of practicality Moss detests.
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