Oct 25, 201301:00 PMPoint of View

The METROPOLIS Blog

Design Management vs Scientific Management

Design Management vs Scientific Management

Christian Guellerin

Courtesy Christian Guellerin © Jean-Charles Queffelec

(page 1 of 2)

Corporate competitiveness dots the economic landscape. Politicians and economists are perpetually setting up ministries, commissions, and committees to deal with “economic recovery plans.” All this is a futile attempt to pull Western countries out of a never-ending series of crises and to get back on track with industrial growth models. Which makes me wonder, how farfetched is it, really, to sit down with all concerned parties and talk about “manual labor?” Could it be an answer, albeit a modest one? Could it be a modest remedy to the very slippery slope down which Western businesses are sliding?

Students spend an enormous amount time drawing, working with paper, cardboard, and other materials as well as devoting energy to cerebral nourishment bred from “playing” with Legos or Meccano which enable them, eventually, to design models or even their own rooms. With this immersion, is it therefore, surprising that when they’re in college, kids devote significantly less time to this type of “intellectual” activity?

It seems that the mere idea of “working with one’s hands” may have been a pointless and degrading exercise. In France, for instance, leading engineering schools no longer produce engineers; their graduates opt to take positions on the floors of stock exchanges, from London to Frankfurt. Life in the factory has become unappealing, observed the head of Schneider recently. How surprised should we really be at this turn of events?

Since the Industrial Revolution, scientific management consistently drew a clear divide between the intellectual work entrusted to the “elites” and manual labor allotted to the working classes. In the late 19th century Frederick Taylor created his very own model of scientific management, fueled by the necessity to draw a clear distinction between the side that thinks, models, sets down the procedures, and dictates the rules of “work well done” and a growing number of less qualified workers whose sole purpose was to apply the rules and not their minds. In response to this segregated and mechanized system, design arose from the shadows to restore a bit of humanity to this warped sense of mind and body divivision.

But this approach of an enlightened, qualified, and competent workforce quickly came to a screeching halt, extinguishing any glimmer of cerebral activity or any notion connecting the thought process with the hand. The end result was a skill-thirsty workforce. To fully grasp the belief that “using one’s head” was a waste, take a look at Charlie Chaplin’s struggles in Modern Times. He’s a victim of his own society. He gets “sucked into and spit out” by the very same machine that his automated gestures nourish day-in and day-out. Or look at Roger Vailland’s 325,000 francs. His hero, Busard, has his arm mercilessly crushed by the plastic toy machinery he operates every day on the assembly line; yet another testament to human collateral damage induced by the perils of automation.

Scientific management does have an economic upside: lower pay for less qualified workers.

But this comes with a hefty price tag. Emerging countries have caught on to the trend as they’re giving the competition a run for its money with even lower salaries, defying the rules for healthy competition, and eliminating human value altogether.

In the end, businesses no longer have skilled workers at their disposal. Those who reflect the very essence of creation and innovation, bridge theory (strategy) and practice (implementation) on industry’s front lines are absent. And so I must ask, how much longer before we wake up to the reality that industry in the western world is shooting itself in the foot?

Recent research done on quality by these same businesses may be on to something with regard to solving this dilemma. Putting procedures in place, with the obligation of applying them, lowers the chances of those applying them of having to think. More to the point, these systems also inhibit business’s creative ability. In the eyes of quality fanatics, creating and innovating are ultimately synonymous with breach of corporate purpose and interest.

The “productive recovery plan” for industry in the West may just come about by “taking matters into our own hands.” This means re-training teams and instilling in them the notion of responsibility and recognition, and breathing new life into the age-old value of compatibility between the mind and our ability to build, design, assemble, put up and take down. This would mean investing in the power and talent of one to design something from nothing. It would mean revealing the multiple facets of innovation and the meaning(s) innovation communicates; this is precisely why business needs designers. Designers don’t just think. They do!

Oct 26, 2013 01:06 pm
 Posted by  Deborah P.

Vis-a-vis "design-thinking" conferences: Applied Brilliance is a systems thinking thought leadership event about emerging trends and cultural shifts for the A+D profession that propels innovation, creativity, thinking differently and solving problems holistically. Plus we have a maker faire, encouraging attendees to think as they do, sharing ideas and insights while they make something creative with their hands.

The results of two days of immersion in learning from experts outside the industry including bioscientists, poets, artists, neuroscientists, economists, ethicists, conflict experts, et al. are inspiring and transformative -- and changes business-as-usual thinking.

The value of learning from the "outside-in," and applying the brilliance of extraordinary minds to solutions relating to the built environment cannot be underestimated. As most professions, A+D is typically limited by a silo organizational matrix, tackling solutions from a non-holistic perspective, and exclusion of understanding how significant emerging trends shape the future. Applied Brilliance brings architects, designers and thought leaders to the table to work together in a meaningful experience to elevate the conversation by bridging theory to practice.

Deborah Patton - Executive Director - Applied Brilliance - www.appliedbrilliance.com

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