Sep 30, 201310:59 AMPoint of View
The METROPOLIS Blog
Sketches on the Connectivity of Art: Part 2
(page 3 of 3)
Tomoo Gokita, "Flower Arrangement', 2007
Courtesy Mary Boone Gallery
In some of Albert Ohlen and Sterling Ruby’s work, sharp bursts of form and color invade concrete space, giving birth to the unknown. The absolute resolve of this impact immediately drives our emotions and turns the invasion into an active outreach instead of a doomed collision. Finally, there is Tomoo Gokita’s painting “Flower Arrangement;” a cool, figurative masterpiece, almost traditional in approach would it not be for the claustrophobic, dense "flowers" that seem to be sculpted from molten steel. Its heaviness awakens us and draws us in. Intimidating sculpted flowers of imposing strength. Are we to meditate or get aggravated looking at this black hole of petals? Timeless, formless, eternal—a manifestation of noise in acrylic.
Marc Hohmann is a design partner and creative director at Lippincott’s New York office, with over 20 years of experience in designing identities and creating campaigns for leading global brands. Previously, with his own firm Konstruktur, he designed the symbol for Amtrak’s Acela bullet train, numerous watches for Swatch, the current logo for the City of London. His clients and projects have included Ainnia Dubai, Citi, Akzo Nobel, City of London, Espré Japan Publishing, Lift Ecru Japan, SGH (Sunglass Hut), Sony BMG, J Brand, Yohji Yamamoto, Swiss Re, Telefónica, and Yahoo!, BB. Marc is also the chief editor of Famous Aspect, a style / art magazine; the second issue is currently available at famousaspectmag.com
Read more posts from Marc Hohmann here.