Museum design has become synonymous with iconic forms, carved with ground-breaking technology to give the institutional building a visual identity, as strong as the best corporate logos do. But in Miami a project for the new art museum (under construction and expected to open in 2013) is breaking the mold. This design is bent on reminding us that this museum’s main…
Double Tragedy: Karrie Jacobs Reviews the New WTC Site
It compounds the tragedy that all traces of what happened there have been erased from the aboveground city, where all will soon be business as usual.
The new World Trade Center memorial erases virtually all traces of the old buildings.
The celebrated Norwegian firm Snøhetta introduces its egalitarian ways of working to an American architecture world known for rigid, top-down management.
Renzo Piano Gives Green Architecture a Grand Experiment
Nine years ago the California Academy of Sciences asked: What’s a 21st century natural history museum? Its stunning new building is the emphatic answer.
Nine years ago the California Academy of Sciences asked: What’s a natural history museum in the 21st century? Its stunning new building is the emphatic answer.
Gehry’s First NYC Project Disappoints—Yet Again
A “Gehry” is at its best when it's pure, unfinished structure. But the final, disappointing product always shows Gehry's true priority: style.
The promise of a “Gehry” is often compromised by the unforgiving realities of building.
Our author—who’s had her issues with monumental modernism—lets down her guard.
Bursting the Zaha Bubble: Ordrupgaard Museum a Failure of Form
Our columnist's first visit to a Zaha Hadid project—a museum addition to the Ordrupgaard in Copenhagen—produces some uneasy feelings.
A visit to Hadid’s latest project—a museum addition to the Ordrupgaard in Copenhagen—produces some uneasy feelings.
This Westchester Memorial Is Everything the WTC, Regrettably, Won’t Be
Those seeking succor in architectural monuments—hopeless optimists, surely—might want to skip Ground Zero and take the train upstate.
Quick: think of a good contemporary memorial. No, not that one we’ve all heard quite enough about: Maya Lin’s shrine to the Vietnam War—a wonderful thing, a bolt from the blue, a one-in-a-million shot—a modern design that people actually respond to, but clearly neither a reproducible scheme nor useful as precedent, as the attempts of Lin’s imitators and her own…