Observed
America By Karrie Jacobs The first building to rise from the ashes of the World Trade Center is cause for hope.
Far Corner By Philip Nobel The unique challenges of building here can confound even the giants.
Investigation By John Hockenberry Designing in a post 9/11 world has forced architects and planners to revisit some basic tenets and beliefs.
Perspective By Steven Heller Politics aside, George W’s typographic legacy is truly appalling.
Learning Curve By Julia Mandell The University of Louisiana at Lafayette’s design-build curriculum makes a difference—fast.
Next Generation By Laurie Manfra A Chicago designer’s signage shows the benefits of bicycling over driving.
In Production By Belinda Lanks The Dutch designer’s versatile 45 lamp for Flos.
Materials By Mason Currey Dodge-Regupol’s ECOsurfaces.
Productsphere By Paul Makovsky Whether your taste runs to Asian tapestries or crocodile skin, you can have it with the new ceramics.
In Review New and notable books on architecture, culture, and design.
By Nathan Silver Assembly buildings in Scotland and Wales forge new national identities in a rapidly changing United Kingdom.
Reference Page More information on people, places, and products covered in this issue of Metropolis.
|  | By Laurie Manfra On the occasion of its 70th anniversary, the company responsible for producing Aalto’s classic Savoy vase issues two new special editions.
By Laurie Manfra A look at the process behind the creation of Aalto's classic Savoy vase.
By Mark Lamster Can Alexander Brodsky reinvent Russian architecture?
By Peter Hall Can technology conquer the fickle world of kitchen and bathroom fixtures?
When it comes to electronic faucets, Bennett Friedman, principal of kitchen and bath supplier AF New York, is a skeptic.
By Marc Kristal Like the firm that conceived it, Huff + Gooden’s design for a museum at historic Virginia Key arose from the conditions surrounding it.
By Jennifer Kabat Although he has created a dizzying array of products, Ross Lovegrove (a.k.a. “Captain Organic”) has his sights set on bigger issues.
By Susan S. Szenasy and Mason Currey From the student exhibitions to our “Design Entrepreneurs” conference, this year’s fair is a conduit into the industry.
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