Notes from Metropolis By Horace Havemeyer III The founder and publisher of Metropolis talks about the early days of the magazine.
By Susan S. Szenasy The famous Pete Seeger song has our editor in chief reflecting on 30 seasons of architecture and design.
Essays By John Hockenberry A 1980 film about a Coke bottle dropped over the desert might be the best metaphor for what’s happened to design.
By Paul Goldberger Why are predictions on the Future of Architecture (capital F, capital A) always so wrong?
By Karrie Jacobs While we may have rejected the box as the standard architectural form, we’re more dedicated to it than ever.
By Andrew Blum Architecture has yet to acknowledge the impact of social media on our experience of physical space.
Hits & Misses By Mason Currey
By Martin C. Pedersen
By Martin C. Pedersen
By Martin C. Pedersen
By Mason Currey
Buzzwords By George Lois
By Paula Scher
By David Carson
By Scott Stowell
Essential Designs By Paul Makovsky These ten picks from MoMA embody key moments and movements from the last 30 years of design.
ICFF Preview By Kristi Cameron Foreign companies are poised to have a particularly strong showing at this year’s ICFF.
By Kristi Cameron A cadre of young designers bring their fresh ideas to ICFF Studio
Reference Page By Michael Silverberg
|  | By Paul Makovsky By Mark Lamster Mocked, maligned, misunderstood, it’s the movement that no one wants to claim membership in—even retrospectively. And yet, might we still be in its grip?
By Andres Duany Taking on the “avant-garde establishment,” Andrés Duany attempts to set the record straight. (Note to the avant-garde: feel free to respond.)
By Martin C. Pedersen Mark Wigley, Philip Johnson’s partner in crime, recalls the groundbreaking 1988 show that took on the reigning ism.
By Christoper Hawthorne The 1990s brought a renewed interest in an old idea. But for the most part, the newcomers were as perplexed by the challenge as the masters of design who preceded them.
By Philip Nobel The new millennium ushered in an era of computer-enabled shapes increasingly divorced from the real concerns of architecture.
By Janet Abrams The renaissance of craft currently occurring among artists, architects, designers, and a generation of DIYers otherwise glued to their keyboards speaks to a universal longing for the tactile and the real.
By Belinda Lanks and Martin C. Pedersen
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