Architect Robert Stone makes custom-fitted T-shirts that are
precise molds of the wearer's body. Above top: Brad Lansill.
Above bottom: Alexia Pilat.
Los Angeles artist and architect Robert Stone doesn't
think the Gap is propagating a nation of khaki-clad automatons. Or that
Coca-Cola is brainwashing the world. "I actually have great respect
for the power of consumer objects to gather people so that they become
a popular language," he says.
But Stone, an architect by training and provocateur
by nature, does worry that mass production is causing people to lose sight
of the relationship between the consumer and the object. He has explored
that connection in past pieces, creating a strap-on subwoofer for the
Mercedes Benz 230 SLK (it encourages people to party around a car that
is made for showing off) and outfitting L.A. parking lots with skateboard-friendly
concrete blocks (they lure skaters with a smooth sloped edge and metal
rod that are ideal for tricks). Stone is also building a "luxury
motel" in Palm Springs whose public areas (such as the swimming pool)
are designed to be settings for "social theater." Whereas these
projects deal with a shared social realm, his latest piece looks at the
more intimate space between clothes and wearer. He's making custom-fitted
T-shirts.
Stone tailors ordinary long-sleeved white T-shirts
to the client's body, leaving the excess fabric on the outside of
the seam to emphasize the difference between the human shape and the original
shape of the shirt. Julie Zamaryonov of NYSE, a boutique in the Fairfax
neighborhood known for carrying cutting-edge local designers, called the
shirts "simple and classic but at the same time chic, not obnoxious
or over-the-top trendy." One night last summer the boutique hosted
Stone, always happy to take his work outside of the gallery, who fitted
T-shirts on eager fashionistas as three seamstresses stood by with industrial
sewing machines. He continues to hold fittings by appointment in the boutique
and did a second show in November at A Detacher in New York.
On an uncharacteristically cold Southern California
day I get my very own $75 custom T-shirt--with a moss-colored satin
label that reads "R. Stone/Fitted Shirt." Holding my right arm
out, Stone pinches the excess fabric and tacks a piece of blue seamstress's
tape to the thin white cotton shirt. He does the same with the left arm,
and then the sides.
"What if someone wants you to make the T-shirt
loose?" I ask. Stone stops taping for a minute and looks up. "They
don't," he replies emphatically, patting down the last piece
of tape. It takes all of ten minutes.
"That's it?"
"That's it," he says. "Make sure
the tape stays when you take it off."
The tape doesn't stay, because I am spectacularly
uncoordinated, and we have to do a second fitting. But a week later, when
Stone and I meet again, he has sewn a perfect outline of my body onto
the shirt. When I put it on there is the exact curve of my waist, the
same slight swell of my bicep.
"Your own shape is superimposed on this [generic]
garment," Stone explains. "The seam makes it surprisingly sexy."
And how does the shirt hold up outside of the boutique
world? "You've got your shirt on inside out, honey," an
old lady tells me at the supermarket. My mom says she can see my bra,
and a friend thinks it looks "lizardlike." But later that evening,
at a gallery opening near NYSE, an older man with a Clark Gable mustache
looks over and says, "That shirt. Those seams. It's like a very
precise pajama top."