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Here is a selection of web exclusive images from photographer David Allee whose work explores the harsh but ethereal effect of artificial light on man-made environments.
The base of the Unisphere Globe at Flushing Meadows Corona Park in Queens, New York usually sits in water, but Allee took this photograph during a drought. (June 2002)


The architectural firm ShoP designed this temporary pedestrian bridge after the collapse of the World Trade Center to allow area residents to cross busy West Street. (August 2002)
The bridge is dramatically lit to allow pedestrians to safely navigate it after dark. (August 2002)
This house, which was decorated for the holidays, sits in front of a baseball/soccer field in the small town of Amenia, New York. Allee used the headlights of his car to further illuminate the scene. (November 2002)


A sports complex with a driving range and multi-purpose dome in Brewster, New York. (April 2002)
The exterior of this Hoboken, New Jersey post office is lit by floodlights at night. (November 2002)
Bercy Stadium, in Paris, is covered in sod. (November 2002)


The light in this nighttime shot of Yankee Stadium comes from both within the stadium and from the street. (September 2002)
The antennas on the roof on the north tower of the former World Trade Center were lit with red lights as a warning to aircraft. (Fall 1999)
The view from the observation deck of the south tower, looking north toward the second tower and over Manhattan. (Fall 1999)


This photo was taken across the street from a golf range and state penitentiary that sit next to one another on Staten Island. (July 2002)
The edge of a Staten Island golf range. (July 2002)
A billboard on Route 22 in Wingdale, New York that is lit by a dedicated floodlight. (December 2002)


 

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