High school kids pitch a tent made from found materials on the Hudson River.


July 2001

In costly, crowded Manhattan good design is expensive and good projects are hard to come by. So it's noteworthy that the plan for a waterfront structure awaiting final approval on Manhattan's Pier 84 was created by and for youth--and is to be built entirely from donated and found materials.

The project is part of Design Directions, a free program for high school students at the Cooper-Hewitt, National Design Museum. During a six-week charrette led by architect Mark Versoza, with the help of Steve Hoffman (who have both worked at Samuel Mockbee's Rural Studio, in Auburn, Alabama), eighteen 13- to 18-year-old students designed a community space for Floating the Apple, a nonprofit waterway awareness organization that, among other things, teaches kids to build and sail boats on the Hudson. In an inspired collaboration, the students worked with their clients to translate Mockbee's model into an urban setting.

THE METROPOLIS OBSERVED:
Nigeria's design for democracy; bringing the Rural Studio to Manhattan; farewell Detritus Institute; don't fence Droog in; L.A. needs parks-- Portland doesn't; remembering Sarah Tomerlin Lee; disposable cell phones; the Wexner Center deconstructs; private parks in public places.
At the Rural Studio, Mockbee's Auburn University architecture students live in the communities for which they build and use materials they gather for free, like old tires and car windows. Versoza--who now practices at Van Campen Architects, in Soho--says, "Mockbee teaches architects to gather a community. They facilitate a barn raising."

Offsite:
Find out more about Floating the Apple, the organization Urban Alternatives Design Studio students are designing for, at www.floatingtheapple.org.
In New York Versoza and Hoffman (an assistant professor at Auburn University) facilitated a tent raising. First they decided on a tensile structure to join Floating the Apple's existing buildings and provide a shaded spot for boat-building. Then Versoza took the Design Directions students out on the Hudson to look back at the pier. "They saw the space as it would be seen--from the water. They began thinking like their client, and they began thinking like designers." Considering the materials available to them--PVC tent fabric, steel cables, and discarded billboard material--the students created models for two structures that resemble billowing sails. They also designed a colorful array of graphics identifying Pier 84 and Floating the Apple to cover the chain-link fence and storage containers that border the site. "We wanted it to be writing you could see from different scales: the water, the street, but also close up," says 17-year-old Nadine Diaz.

The structure still needs the stamp of approval from the Hudson River Park Trust, which oversees the pier, before construction can start this summer. "It will be exciting to see it built," Versoza says, "but in this case the design process was a feat in itself." Hoffman agrees: "The imagination can do a lot with a little. We wanted to show the kids that good design can happen anywhere with anything."




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