Metropolis Magazine - Metropolis Magazine November 2006
There is a movement afoot to create recreational spaces that better serve our cities and our children.
Curators at the Glass House—which opens to the public in April—face an intriguing challenge: linking the restless, insatiably curious spirit of its creator to a living future.
Parks and organizations worldwide are learning “public-space management” from the Central Park Conservancy.
This season’s sharpest contract designs come dressed in ways that recall menswear.
Martha Schwartz answers a few questions on landscape architecture, inspiration, and process using her thumbs.
New York’s Still New York: Evaluating Ground Zero in Middle Age
Despite years of rancor surrounding it, and the uninspiring buildings that have been a result, the WTC site still possesses a deep emotional power.
Despite years of rancor surrounding it, the WTC site still possesses a deep emotional power.
Two lessons in historic Modernism: What will we learn from them?
U.S. Green Building Council president Rick Fedrizzi calls Rick Cook and Bob Fox “two of the greenest architects on earth.” So it’s no surprise that when they set out to create a new home for Cook + Fox Architects, their New York−based firm, the strategy was driven by two well-known maxims. The first, quoted frequently by Cook, belongs to microbiologist…
Philip Johnson orchestrated a scene around his impeccable eccentricity, and his Glass House was the hub of this extravaganza.
Our guide to a responsive, hospitable, and tech-savvy workplace
Middle-income neighborhoods are disappearing from cities, and in New York they’re being squeezed to the very edge.
Johnson was a legendary tastemaker and power broker whose web of influence spanned nearly seven decades. He and his longtime companion, David Whitney, used their bucolic estate as the locus of a far-flung network of friends, colleagues, and cultural luminaries. We asked some of them to share memories of the Glass House. Their stories appear below. ** David Childs I…
A recent electronic-arts festival drew stark attention to what a cluster of high-profile buildings had forgotten: the people who live there.
After previewing a new line of chairs and bar stools to fanfare this spring, Jack Markuse assumed it would be easy to land floor space for his new company, Appoggi. But although the designs—by Richard Gluckman, Arquitectonica, SHoP, and others—were a hit at the furniture shows, he has yet to find a New York showroom. Markuse suspects the problem isn’t…
Let’s say you’d like to paint your bathroom the color of your favorite tie—or your living room the precise shade of white used inside the Museum of Modern Art.
Eva Zeisel turns 100 this month, and the legendary designer shows little sign of slowing down. In recent years she has created new products for Crate and Barrel, Nambé, Lomonosov, and KleinReid; and now Chantal has released the Eva Kettle, her first teakettle. Like so many of Zeisel’s designs (numbering more than 100,000), the brushed stainless-steel vessel strikes a just-right…
A Danish chef and a production designer combine their skills to tell a story over dinner.
We may all rely on practical lists to help order our lives, but Gregory Blackstock elevates list-making to an art form. His visual taxonomies—published this fall by Princeton Architectural Press as Blackstock’s Collections—span the generic to the unexpected. The Great World Crows contains 20 examples of that unremarkable genus, for example, while The Noisemakers lumps the traditional party popper with…
Keilhauer’s new task chair by EOOS brings Pilates to the desk job.
Conscientious beer drinkers in Denmark have good reason to toast. Copenhagen-based Tuborg beer has employed the world’s first refillable plastic beer bottles. While it’s news to us, Danes have dutifully returned the company’s empty bottles since 1999. They are then sterilized and refilled—up to 20 times—with Tuborg brew. Not that we needed another excuse to drink. November 1, 2006 Categories:…