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An Experimental Approach to Lighting


Thursday, June 17, 2010 11:52 am

In the June issue of the magazine, David Sokol writes briefly about the lighting manufacturer iGuzzini’s new U.S. showroom. Below is an expanded version of Sokol’s text, with more details on the company’s history and products.

caos_1-flatEven if you’re not yet familiar with the iGuzzini name, you know its work. The Italian lighting brand manufactures Piero Castiglioni and Gae Aulenti’s 1993 Cestello design, which company president Adolfo Guzzini says is “the most copied light fixture ever, for sure!” iGuzzini also partners with that other great Italian architect, Renzo Piano, notably on the California Academy of Sciences.

Guzzini partly credits celebrity collaborators like Piano for his own company’s success. “Architects and designers are always on the move, they ‘pollinate’ different continents,” he says. Not only have global nomads taken iGuzzini products along for the ride, but also they have inspired specifiers in those places to emulate the visiting design dignitary, spelling far-flung orders.

When iGuzzini launched in 1958 as Harvey Creazioni, architectural and decorative lighting was but an afterthought. Quickly the company redirected its efforts, from copper objects and lighting parts to luminaires. A willingness to experiment has defined iGuzzini ever since. Much of the company’s stock was originally conceived as one-offs for architects. Work with Piano yielded the products Lingotto and Le Perroquet, for instance. Moreover, iGuzzini places importance on the science of lighting: “Some of our research activities have led to specific products, such as SIVRA, the first biodynamic light system,” Guzzini says. “Another important issue is the effect of artificial light in museum lighting—on color perception or the shape of the exhibits. Read more…



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