Remembering Frank Lloyd Wright’s Bijou
It wasn’t a masterwork, but it was the master’s work. Every day, hundreds of people walked by the gleaming space, but few may have realized its significance. A hidden gem in plain sight, the Hoffman Auto Showroom at 430 Park Avenue, opened in 1955. It was one of just three Frank Lloyd Wright projects in New York City. And now, it’s gone.
The sleek showroom captured by the astute eye of Ezra Stoller, 1955. Courtesy of Ezra Stoller © Esto / Yossi Milo Gallery
Wright’s bijou, as he described it,[i] was the architect’s first permanent work in the city, his first constructed automotive design, and one of his few interior-only projects. Realized during New York’s post-World War II commercial construction boom, it was the architect’s single gesture along the corporate corridor of International Style buildings designed by his rivals, the “glass box boys.”[ii] The showroom’s signature ramp was also one of Wright’s several design experiments with the spiral, culminating in the Guggenheim Museum.
The showroom was a bijou to me, too. It’s a character in my book, Frank Lloyd Wright in New York: The Plaza Years, 1954-1959. I spent considerable time studying, visiting, and writing about it. Imagine my shock on a warm day last month when I walked by showroom and witnessed it being gutted. A woman in construction gear, standing in front of the open doorway waved pedestrians past clouds of dust and dumpsters filled with the showroom’s remains en route to a nearby dump truck. Read more








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