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The Green Team Part 13: Game, Sett, Match


Saturday, May 4, 2013 9:00 am

In our last Green Team post, we discussed the challenges brought on by the frequently slow pace of construction and the benefits of installing temporary landscapes during the waiting period. Here, we continue our commentary about time and the landscape, focusing on the challenges of matching contemporary materials and furnishings to historic sites.

Landscapes do not exist in isolation. They occupy a very specific spatial context. The materials of a landscape—furniture, paving, lighting, plants, etc.—are in constant conversation with their environs. So, the process of material selection typically requires that a landscape architect look beyond the project’s boundaries to understand how the materials will be integrated into the larger context. Sometimes, we want a material to fit in. At other times, we want it to stand out or contrast with the surroundings. A sensitive approach to material selection that allows for the preservation of a site’s character while modernizing other design features is often required when working on historic locales.

Contrary to what you might believe, contemporary furnishings can sometimes blend seamlessly with historic elements. This was true for our project at St. John the Divine, a massive and unfinished 1892 gothic cathedral in New York City. Our modern day challenge was to design a playground adjacent to this cathedral.

Children’s play equipment is typically bright, showy, and clunky, made to appeal to kids. So it may seem that playground equipment has little in common aesthetically with a gothic cathedral, but we argue that they actually share structural similarities—the steel frame of the play equipment and the buttresses and arches of the church.

Green Team Blog #13 IMAGE 1

The play equipment in the foreground reflects the gothic architecture of the adjacent cathedral while providing multi-faceted climbing surfaces.  Photo: Mathews Nielsen

Our design team worked with a playground equipment manufacturer to create clean, minimalist play pieces, their forms echoing the gothic arches, while providing plenty of child-friendly interactive forms and surfaces. The use of a single dark color created harmony between the equipment and the cathedral. This design element was extended to the fence at the perimeter of the play yard, enhancing the impression that both elements look like they belong. Read more…



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