I recently learned about Rachel and Stephen Kaplan’s concept, “soft fascination.” According to the Kaplans, environmental psychologists, “Experiencing environments that encourage soft fascination provides opportunities to think through situations and make decisions; to reflect on prior experiences and make sense of them; and to develop ideas that can be implemented in the workplace or in personal life.” The environments they mention can usually be found in nature. This is precisely what artist and designer Michele Oka Doner does. She immerses herself in the natural world and comes back with questions and answers that fuel her creations. Case in point is her new design for a landmark pavilion in the recently incorporated City of Doral, in Miami-Dade County.

Pavillion Elevation. Rendering by Local Office Landscape Architecture

A Miami Beach native whose inspiration is heavily influenced by her city’s abundance of nature, be it from the ocean or the flora, Oka Doner has left her mark on her home town, in projects like “Walk on the Beach,” the mile long floor installation that greets passengers at Miami International Airport.

When Armando Codina who, with his daughter Ana, is developing the Downtown Doral project, went looking for something that would make a statement about the new independent municipality, he was searching something that “would give it a heart.” Having chosen Oka Doner, he says, “She was the natural artist to do something special in our new city, so the selection was easy,” Codina explains. “Michele is a world-renowned artist whose roots are very much a part of the history of Miami–Dade, having grown up in Miami Beach,” he adds. Read more…

As much as the boundaries between design and art fade away (at DesignMiami galleries sell design through an art market structure, such as a $50,000 limited edition of 3 “designer” chairs), yet we continue to need to categorize and make distinctions between the two. And when we can’t see the distinction, bewildered, we cry for an explanation.

A recent post here by Starre Vartan elaborated on one of the defining factors of that distinction: the relationship between the creative and the commercial and what it means to both. This was a great insight. Then my visit to Indianapolis and the new art hotel brought even more clarity to the topic, a case study for discussion.

The Alexander Hotel (a 209 room property, part of the CityWay redevelopment complex in downtown Indianapolis) is the result of an initiative by Indiana developer Brad Chambers, a long-time art philanthropist and collector. With the assistance of the curatorial team, lead by chief curator Dr. Lisa Freiman of the Indianapolis Museum of Art, Chambers wanted to bring to the project the inspiration that art, his passion, gives him and, in the process, bring to Indianapolis something new and unique.

Beyond a comprehensive and thoughtful art collection put together exclusively for the hotel, 14 artists were commissioned to create site-specific pieces for the property. All pieces make relevant statements and combine successfully to bring the trendy art hotel category to America’s Midwest. Undeniably, the piece de resistance is Jorge Pardo’s “design” for the bar and lounge, Plat99.

Pardo was given one of the most prominent parts of the project to design. The bar and lounge area is a glass box slightly pulled off the main volume of the Gensler designed building, hovering on the second floor at the corner of the busy intersection where the hotel is located, its curtain walls serving as a teaser, inviting passersby for a closer look at what’s inside.

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There is nothing like roaming the streets of a city to really get the feel of the place. Walking, of course, is one option. But on the metropolitan scale, cycling is the way to go. With that and cycling’s green benefits in mind, Milan’s Amazelab is celebrating bike riding at the FuoriSalone 2013 this week.

For over 10 years now this non- profit cultural lab, through its Green Island events during Milan Design Week, has been making strong statements on the environment, from basic sustainability to the relevance of the actual presence of green in that city. For this year’s edition they are highlighting the importance of eco-friendly mobility.

Claudia Zanfi, the director and curator of the event, has organized “GREEN BIKE: The Dutch Way.” She teamed up with the Embassy and Consulate General of the Netherlands to inspire a more environmentally sound way of getting around cities. The Dutch being models of the urban bike commute and of excellence in design, are an appropriate partner.

The main venues for the event are three state-of-the-art bike shops, scattered through different parts of Milan: Equilibrio Urbano (in the Isola neighborhood), Rossignoli (at Corso Garibaldi), and Olmo La Biciclissima (Piazza Vetra, Zona Navigli). In addition to the latest on cutting edge cycling design, bicycle-culture-inspired objects are on display as well. “Searching for efficiency and speed, bicycle design has become an important design item, as iconic as chair design has been,” says Andrea Locci, art director and founder of the chair-cataloging project,  “PLEASE, HAVE A SEAT.” Indeed, experimenting with the two-wheel design has become quite popular. From Phillipe Stark to Marc Newson, every designer wants a go at it.

Light-weight bike at Equilibrio Urbano bike shop

Jan Gunneweg wood bicycle at Olmo La Biciclissima bike shop.  Photo courtesy Amazelab

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Amidst all the post-Sandy commotion and the excessive media coverage, it was confusing to keep up with all that was going on, be it just a few blocks away or in the far reaches of the wide spread New York City. This was further compounded by media outlets scrambling to report properly on the unprecedented storm; their efforts were patchy, to say the least.

Last week when I sat down with Local Office Architects, Walter Meyer and Jennifer Holstad to discuss their projects, I was taken aback by their description of the degree of destruction on the Rockaway Peninsula. But I was also positively surprised to learn of the relief efforts they described (and were intrinsically involved with, having spearheaded some of them), and some of the initiatives to bring that beleaguered community back to life.

One initiative, PS1’s VW Dome 2, officially opens this Friday, March 29^th. The temporary dome (a slightly smaller scale version of the one installed at PS1’s courtyard, gifted by VolksWagen) aims to give the  Rockaway community a place to gather and be inspired, whether they’re hosting talks, watching movie screenings, or taking in exhibits.

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Palms reflecting on Glade Lake

As much as I have enjoyed New York and its famous urbanity in the years since I moved here, a recent visit to Miami (where I moved from) reminded me of the softening powers of nature. It’s easy to forget this primeval presence when we’re underground or walking in crowded canyons of grey stone and brown brick buildings.  By contrast, in Miami, I am soothed as I go about my day and catch a glimpse of unobstructed skies and expansive bay and ocean views, and the reinvigorating presence of lush flora year around and everywhere. On my last day there I went by the Fairchild Tropical Botanic Garden to get a good dose of that green paradise, hoping it would last for me through end of winter. The Fairchild does not disappoint!

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Mineirao sketch by Bruno Campos

Superbowl might attract North America’s largest TV audience, but the biggest sporting event is still World Cup Soccer. Like the Olympics, they happen only every four years, and involve massive logistics. What does this mean to the hosting countries? There’s no time to waste in getting the venues ready. This is just what’s happening in Brazil, the country hosting the 2014 World Cup. An exhibit in New York,  “Brazil + 2014: Sustainable Stadiums,” shows that Brazilians are hard at work to build spectacular buildings that are also sustainable.

Brazil and soccer are inextricably linked. The country can boast of being the home to legendary players and winning an unparalleled five championships. Now it will, once more, try to make history by making 2014 the greenest, most sustainable World Cup ever. To that end, the architects of the stadiums are putting forth their best creative efforts to make their buildings as functional and iconic as they will be eco-friendly.

Mineirao field and bleechers view, rendering courtesy BCMF Arquietos

Scattered throughout the country, in 12 cities, the stadiums are a mixture of new structures and comprehensive renovations of existing ones. One thing connects them all: the push to make sustainability taken to its highest standard, from traffic logistics to the smart use of water. All strive to deliver buildings that are in keeping with the country’s strong architecture heritage. Incidentally, among the well-known projects in the show, the Mineirao Stadium, is a renovation of a stadium adjacent to Oscar Niemeyer’s  early seminal project, the Pampulha Complex in the city of Belo Horizonte.

Mineirao birds-eye view rendering, courtesy BCMF Arquietos

The Mineirao, as it’s known, is a Brutalist structure designed in 1945 by Eduardo Mendes Guimaraes. The building is now protected as a historic landmark, thus its main shell cannot be altered. How, then, to make the massive concrete structure useful beyond the sporting events?

Mineirao plaza rendering, courtesy BCMF Arquietos

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Of New York City’s many architectural gems, Grand Central Terminal has always been a highlight for me. While modern buildings lend themselves better to the abstraction I search for in my photos, this great terminal captivates me in a different way.  It’s not an easy building to shoot from the street. The surrounding towers don’t allow much perspective and good light.

The magic happens inside. It has been called one of the city’s best indoor spaces and I couldn’t agree more. That it hosts a multitude of activities and the thousands who pass through everyday, and still remains “grand”, is just amazing. The scale of the main concourse is a lesson in architectural proportion. It allows expansiveness without dwarfing the human scale or affecting the flow it was designed to handle. Of course, its character is closely connected to the noble materials used and the elegant details, but for me the way the light enters it is what gives the space its fabled grandeur. No wonder it has attracted photographers and cinematographers alike, for decades.

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Parking structure, Roosevelt Island, New York

Do you ever wonder how another person does what you love doing? As a photographer, trained in architecture, I do. So when I get a chance to talk to a person who’s as turned on by cities, structures, and details, I grab the first chance I get a conversation going.  Meeting fellow photographer Heike Buelau, known for expressing herself through capturing the poetic aspect of our constructed environment, was like meeting a kindred spirit. As I was to find out, we share some aesthetic sensibilities, but how she arrives at her vision is completely her own.

Jean Nouvel, Chelsea condo tower, New York

With training in classical operatic singing, the German born Heike brings a sound/musical sensibility to her photography, framing every shot she takes, brining to the appreciation of the city and buildings a special flair. Used to the language of rhythmic tempo, the pauses, the piano forte, the crescendos, Buelau visually re-interprets the city as if composing a piece for chamber music: gentle, subtle, every note essential, regardless of how simple.

In a temporary hiatus from the U.S., with her a new show opening in Torino, Italy—as she was preparing the imagery she created while exploring new horizons, sights, cityscapes in the Far East, from Dubai to Abu Dabi and Kuwait—I caught up with Heike and asked her to elaborate on her views on architecture, art, and the Dubai urbanscape.

Smith Gill Architects, Burj Khalifa Tower, Dubai

Paul Clemence: What catches your eyes as you navigate the city?

Heike Buelau: Detail, small, hidden, largely undetected detail.

PC: You talk about silence a lot, how you value it….Amidst the urban chaos, how do you find it?

HB: This question ties beautifully into the first. To me a moment of silence is a moment in which I get to experience a pause from the constant influx of imagery and information in daily life, which generally sets off a never ending and unwanted noise in my mind. I have come to find that pause, that silence more and more in the detail of things and structures. The more I close in on the finest feature of a particular building, for example, the more I get drawn into its absolute beauty. Subsequently this results in that magical moment of silence. A moment of having discovered something in which all else gets shut out. All that exists to me at that point is the creative genius of the architect and my very own response to it.

Asymptote ,  project, Yas Hotel Abu Dhabi

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Like any megalopolis, Sao Paulo is a plethora of experiences at once fascinating and dizzying. Take a simple walk or drive and the city comes at you at a frantic pace, synched to an ever-growing volume of traffic and speed. The contrasts are closely juxtaposed, like an impossible surrealistic collage. From humble to ostentatious, jammed streets, popular dwellings next t neo-kitsch condo towers, favelas and Niemeyer, a Calatrava-esque cable bridge over one of the most polluted rivers, a constantly hovering helicopter flotilla, Mendes da Rocha classics here and there, and graffiti art everywhere. And so it goes in a city that never ends.

If you are there with an agenda, the city absorbs you even more as the time pressure is added to finding routes to get to your appointed destination. Anything can happen.

That was the case for me this past summer while I was installing my solo show for BoomSPdesign, covering the conference, and simultaneously attending DesignWeekend, even as I was looking for new subjects to photograph. I was all over the place, crisscrossing the city non-stop, going in every direction, literally. By the fourth day I was ready hide and sleep in. But the opportunity to go on a DesignWeekend tour of private interiors by the Campana Brothers seemed like a must.

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Museum seen from the waters of Biscayne Bay

A year after my first visit I went back to check the progress of the new Miami Art Museum (MAM). This time Jacques Herzog himself lead the tour of the Herzog & de Meuron project, with Christine Binswanger, senior partner accompanying him. Their insights on the design and seeing the construction closer to completion, gave me a comprehensive view of how the building is shaping up.

Museum seen from the Bay, with Highway 395 and Cesar Pelli’s Theatre of the Performing Arts to the right , and Biscayne Blvd condos to the left.

The first thing I noticed was how well MAM connects with its context, both the natural and urban, inside and out. The site is an architect’s dream. It’s a privileged piece of land, bordered on the south by the verdant Bicentennial Park and downtown, on the west by the city and, eventually, by the new Miami Science Museum; to the north by the 395 freeway and MacArthur Causeway leading to Miami Beach, and to the east the back of Biscayne Bay at the exact spot where the cruise ships docking at Port of Miami maneuver upon arrival. Just standing there makes you feel full of energy and vitality!

View looking out at MacArthur Causeway

Looking out, from deep inside the museum, with Freedom Tower in background.

A building inserted into such a site needs to hold its own and yet not be a carnival ride full of bells and whistles. This is no easy task. But this is what exactly what the architects seem to be accomplishing. When I asked Thom Collins, the museum’s director, what had surprised him most upon seeing the building take shape, he told me: “ There’s no place inside, whether a gallery or hallway, where you can’t look to the outdoors in at least two directions.” Indeed, the vistas are presented at every opportunity, yet they’re not distracting. I imagine that when completed, these rooms, though they will certainly be fit for the introspection required to connect with art, will have a more airy, inspiring feel than other somber, taciturn museum galleries. This couldn’t be more appropriate for a city like Miami, where just a single glance at the expansive sky and the ocean can evoke a fresh perspective, both literally and metaphorically.

Window opening with view of American Airlines Arena, by Arquitectonica and dowtown.

View out South from top floor, looking into park and downtown.

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