Tuesday, April 23, 2013 9:32 am

Imagine you are sitting in the top-floor boardroom of a major United States consumer products company and you are meeting one-on-one with the company’s executive in charge of sustainability. You have been to this facility many, many times before. Over seven years, you have met with executives in charge of finance, supply chains, manufacturing, product design, research and development, and marketing. Hundreds of meetings to listen, to learn, and to explore your new concepts for sustainable growth and beneficial innovation.
Together, you and the executive have shared data—lots of data. You know big-picture business issues facing this company and detailed chemistries of the products. You even know how many light bulbs are used to illuminate the enterprise worldwide, how much energy that consumes, how many light bulbs contain mercury, and how many people it takes to change a light bulb and what that costs….
Outside the giant plate-glass windows, tall granite-clad skyscrapers stand proudly in the sunshine. The Brazilian mahogany table is polished to a shine, and the high-backed leather chairs remind you of the important executive decisions made in this room, which can affect the lives of millions of people—for better or for worse. One might say you are here chasing the butterfly effect. Given the scale of this company, one small decision has the power to make a real difference for the economy, for people, and for the planet.
That is one reason you are here—scale. But you are also here for another reason—velocity. Many of the largest corporate enterprises in the world have come to realize the downside of the butterfly effect, the repercussions of modern business that are obviously damaging and too often unaccounted for—famously called externalities, such as carbon in the atmosphere, toxic materials, poisoned rivers, lost rain forests, and so on, with no end of this decline in sight. Many businesspeople realize this is not good business. They like to know what they are doing and to be able to account for it, but they feel like they are driving a car without a gas gauge or even, shall we say, a battery charge indicator? It makes them nervous. They also are like Olympic athletes who want to be on a safe, level playing field and who do not want to be left behind. They want to lead. Read more
Saturday, April 20, 2013 10:00 am
Max Zahniser doesn’t usually make house calls. As a leader in sustainability and integrative, systems thinking he lends his expertise to wide ranging building projects and organizations. He promotes green practices on a national level and has been at the inception of advanced thinking in that arena.
Zahniser doesn’t just paint with a broad brush. Son of two psychologists, he knows more than most that “relationships matter.” When it comes to collaborations, he wisely encourages “enlightened self-interest rather than right or wrong.”
To give you a better idea of his philosophy Zahniser will tell you that systems thinking is his foundation for understanding the world. He rejects a fragmented, specialized worldview and ascribes to the dawning “Age of Integration,” anticipated decades ago by Buckminster Fuller and Lewis Mumford. In contrast to healthy interdependence, Zahniser sees Philadelphia as an example of “dispersed environmental initiatives.” His new Sustainability Nexus enterprise aims to pull that all together.
PUTTING THEORY INTO PRACTICE
I asked Zahniser to pack up the best of his design insights and conceptual diagrams into a tool kit he could take to any neighborhood to foster grass roots green initiatives, so to speak. As with the famed “Powers of Ten” illumination of scale by Charles and Ray Eames, presumably, what can heal a neighborhood, can heal a city and so on. Read more
Friday, April 19, 2013 9:06 am
As we enter a transition era that demands far greater resilience and sustainability in our technological systems, we must ask tough new questions about existing approaches to architecture and settlement. Post-occupancy evaluations show that many new buildings as well as retrofits of some older buildings, are performing substantially below minimal expectations. In some notable cases, the research results are frankly dismal [see “Toward Resilient Architectures 2: Why Green Often Isn’t”].
The trouble is that the existing system of settlement, developed in the oil-fueled industrial age, is beginning to appear fundamentally limited. And we’re recognizing that it’s not possible to solve our problems using the same typologies that created them in the first place. In a “far-from-equilibrium” world, as resilience theory suggests, we cannot rely on engineered, “bolt-on” approaches to these typologies, which are only likely to produce a cascade of unintended consequences. What we need is an inherent ability to handle “shocks to the system,” of the kind we see routinely in biological systems.
In “Toward Resilient Architectures 1: Biology Lessons” we described several elements of such resilient structures, including redundant (“web-network”) connectivity, approaches incorporating diversity, work distributed across many scales, and fine-grained adaptivity of design elements. We noted that many older structures also had exactly these qualities of resilient structures to a remarkable degree, and in evaluations they often perform surprisingly well today. Nevertheless during the last century, in the dawning age of industrial design, the desirable qualities resilient buildings offered were lost. What happened?

The fractal mathematics of nature bears a striking resemblance to human ornament, as in this fractal generated by a finite subdivision rule. This is not a coincidence: ornament may be what humans use as a kind of “glue” to help weave our spaces together. It now appears that the removal of ornament and pattern has far-reaching consequences for the capacity of environmental structures to form coherent, resilient wholes. Image: Brirush/Wikimedia
A common narrative asserts that the world moved on to more practical and efficient ways of doing things, and older methods were quaint and un-modern. According to this narrative, the new architecture was the inevitable product of inexorable forces, the undeniable expression of an exciting industrial “spirit of the age.” The new buildings would be streamlined, beautiful, and above all, “stylistically appropriate.” Read more
Friday, April 12, 2013 1:33 pm
In his introduction to Design Education for a Sustainable Future, published recently by Routledge/earthscan, Rob Fleming says his premise “is remarkably simple. It is based on a series of straightforward questions that seek to uncover the context, values, and behaviors necessary for effective twenty-first century design education. Is society moving towards a new sustainable or integral worldview, a new set of cultural values that are reshaping the very fabric of human existence? If so, how are such profound shifts in consciousness impacting the design and construction industries? And how can design educators better reflect the zeitgeist of the new century by moving from well-intentioned but lightweight ‘greening’ to the deeper and more impactful ideals of sustainability and resilience?
“The process of answering these questions begins with the requisite historical narrative which explores cultural evolution not as a slow and gradual rise to new levels of complexity but rather through a series of hyper-accelerated jumps in human consciousness. The jump from dispersed Hunter Gatherer cultures to centralized agrarian societies and then to industrialized nations correlates well to the convergence of new energy sources and the invention of new communication technologies.” What follows is Fleming’s opening salvo to a much talked about, much-overdue shift that needs to take place in design education:

Jeremy Rifkin argues in his book The Empathic Civilization: The Race to Global Consciousness in a World in Crisis that “The convergence of energy and communications revolutions not only reconfigures society and social roles and relationships but also human consciousness itself.”1 The early twenty-first century, as characterized by unprecedented sharing of information via wireless networks and by the emergence of renewable energy technologies, demarcates a threshold from one world view to another, a jump from an industrialized conception of nature as immutable and infinite to a Gaia inspired view of nature as alive, intelligent and, most of all, fragile in the hands of man.
The principles of sustainability, which emphasize ecological regeneration and co-creative processes, comprise a new and powerful ideal that is reshaping technologically driven initiatives, especially those associated with the design and construction of the built environment. Societal conceptions of money and profit, consumerism, design and technology are radically shifting to address the superficial but useful demands of “greening,” and are leading to finding deeper and more impactful processes to meet the much higher bar of sustainability. Read more
Tuesday, April 9, 2013 9:00 am
The Tulip Collection bathtub, featured in Metropolis’ February 2013 issue “Productsphere”
All too often fragility is accepted as part of manufactured luxury goods; the product’s short lifespan considered as luxurious as its disposability. With the recent release of their WETMAR™ update, WETMAR BiO™, Wetstyle set out to combine the purity of environmentally-sound material with industrial durability into the foundation of their sumptuous product lines. And as with all their products, WETMAR BiO is produced in the Wetstyle factory in Montreal.
WETMAR BiO craftsmanship includes hand polishing
WETMAR BiO craftsmanship includes surface buffing
Wetstyle’s entire product line now incorporates the updated material including its five new collections, designed to work with the enhancements of WETMAR BiO. To see how, check out the Wetstyle featured storyboard on the Metropolis Pinterest page. Read more
Monday, April 8, 2013 12:33 pm

Recently, when the giant retailer Walmart announced its commitment to source $50 billion worth of goods in the U.S. in the next 10 years, I was curious to find out what this initiative would mean to our economy, labor force, manufacturing capacity, and more. So I put some questions to Dr. Daniel Mahler, PhD in communications, partner and head of Americas for A. T. Kearney, a global management-consulting firm. As the firm’s lead senior advisor to several large global U.S. corporations with revenues of up to $80 billion, and with a reputation for a commitment to sustainability, I thought Dr. Mahler’s reasoned voice would help us understand what changes may be brewing as more of our products will bear the once familiar and proud label, “Made in the USA.” I tracked him down as he traveled between his New York office and Shanghai, to ask some questions about the economic shifts taking place today.
Susan S. Szenasy: With Walmart’s commitment to source $50 billion worth of goods in the U.S. in the next 10 years, and considering our crumbling industrial base, is there any low hanging fruit left in American manufacturing? Which industry is most likely to spring into action in wake of the Walmart challenge?
Dr. Daniel Mahler: My feeling is that if there’s any low hanging fruit to be found in U.S. manufacturing, little of it is going to be about further lowering the costs of manufacturing here. If you think about the economic period from which we’re only just emerging, not only those moving their manufacturing to China, but those who remained here had to do as much as possible to make sure they were competitive. Although there are always creative approaches to gaining new efficiencies, the most obvious efficiency plays have mostly run their course.
Therefore, this is probably more about Walmart sensing that when you do the math and look not just at the cost of manufacturing, but at the total cost, the equation starts to shift in favor of the U.S. There’s the cost of bringing manufactured product to the U.S., the risk-cost of a product not getting here on time, the cost of product adulteration when bad things happen in the supply chain, which is huge in terms of risk, liability and reputation – these are all parts of the total cost picture. Read more
Monday, February 18, 2013 8:00 am

I have mixed feelings about the sea of mail that inundates us around the holidays. Having worked with architecture firms for many years, I’ve had the card versus email greeting debate time and again (and, admittedly, landed on both sides over the years). But once in a while, I receive a card that reminds me what thought and intentionality can do for the “hard copy” format.


KieranTimberlake’s annual message of good wishes is a five panel, fold out card. On the one side there are elegant, muted-hue diagrams from five of the firm’s green roof projects, illustrating how the vegetation has evolved over time. The Middlebury College Atwater Commons project, for instance, is shown in 2003 and 2012; the other depictions vary in duration. All prompt careful study.

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Categories:
Art,
Craftsmanship,
Design,
Graphic Design,
Green Design,
Landscape,
Planning,
Research,
Science,
Sustainability,
Systems
Friday, February 15, 2013 8:00 am

Entrance: As visitors enter the new Patricia and Phillip Frost Museum of Science, they will be surrounded by lush landscaping that is built into the structure itself. The 250,000 square-foot complex is intended to act as a demonstration of ecological and sustainability principle, with the building harnessing energy from water, sun, wind and even museum visitors to power exhibits and conserve resources.
“There is no Plan B, because there is no Planet B,” said UN secretary-general Ban Ki-Moon at Stanford University earlier this year. In the decades since we first glimpsed Earth suspended in space and seemingly without boundaries, we’ve been learning to become aware of the fragility of life. We now know that the planet can quite happily continue without us. Bacteria and probably cockroaches will survive most disasters, but with a population of 7 billion and growing, it’s not so evident that our species can do the same.

Promenade: The open plaza of the new Patricia and Philip Frost Museum of Science will lead visitors to the Energy Playground and the adjacent Jorge M. Perez Art Museum of Miami-Dade County.
Life depends on energy for every necessary exchange. At each stage of that exchange, some energy is lost as heat or as increased disorder or entropy. Most of this energy comes from the sun. Life depends on how well we manage this exchange.
We live in that very narrow interface where conditions are hospitable to human life and, as the sun slowly runs out of energy; if we waste it, we hasten our demise. Of course, in geological terms, this is a long way off. We can, however, address the issues here and now and see what we can do to make our planet a great place for more of us to live – hence the importance of earth sciences.

Evening signage: At night, the new Museum of Science will be illuminated with various colors of light and signage, reflected on the planetarium and building structure.
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Friday, February 8, 2013 8:00 am

In Las Vegas, on February 26, at the Digital Signage Expo (through February 28) everyone will be talking about “New Design Directions: Dynamic Digital Environments.” In a session called “Transforming Architecture & Interiors Into Media-rich Environments,” Jeff Kovel, AIA, principal at Skylab Architecture in Portland, Oregon, will discuss, in some detail, his firm’s experience in building Camp Victory for Nike. From the conversation that follows, it seems that the ways and means of sustainable design are similar to integrating digital media into architecture. Both types of projects are organized around research oriented, multi-skilled teams. In my previous interview with Paul R. Levy, president and CEO of Philadelphia’s Center City, we explored the use of digital media in the large-scale urban environment. Here we dig down into one, very particular building and its media-rich message.

Susan S. Szenasy: As architects working in the physical world of tangible materials and expressions, did you need to make a mind-shift when you took on the Nike Camp Victory project? That project, from where sit, has a sophisticated digital component, way beyond what you’re used in architectural software programs. To begin with, please describe what the assignment was, and what you had to learn immediately upon accepting the commission.
Jeff Kovel: Camp Victory began in research and collaboration; there was no predetermined outcome. This approach of creating a vision, prior to defining a project’s limitations, is a testament to Nike’s commitment to innovation. The project began by meeting Hush, our digital partner, for the first time. Jointly we were briefed on the history of Nike, Eugene (Oregon), and the US Olympic trials. A full day insight into Nike’s upcoming innovations, to be launched at the Olympics, followed. We were some of the first people outside of Nike to see the Olympic Speed Suit and track spike, the Knit footwear, and the efforts being developed around Nike+ (digital). The task at hand was to create a temporary interactive exhibition around these innovations, immersing the viewer in Nike innovation. The limitation was that we could not penetrate or damage the newly laid artificial turf field that was out site.


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Categories:
Architects,
Business,
Design,
Graphic Design,
Lighting,
Olympics,
Q&A,
Research,
Science,
Smart/Intelligent,
Sustainability,
Systems,
Technology
Saturday, January 12, 2013 9:00 am

In the course of reporting my piece on Edward Mazria, I had a very interesting conversation with Andrew C. Revkin, for years an environmental reporter for the New York Times. Today he writes the paper’s Dot Earth Blog and also teaches at Pace University. A big admirer of Mazria, Revkin has an altogether clear-eyed view of the environmental road ahead. An edited version of our talk follows:
Martin C. Pedersen: First off, what’s your role at Pace?
Andrew C. Revkin: I am Senior Fellow for Environmental Understanding at the Academy for Applied Environmental Studies. And I co-teach three courses. One is a new course I’ve launched called Blogging a Better Planet. In the spring I co-teach a documentary production course, where we do films on sustainability topics, and an environmental science communication course.
MCP: You’ve been aware of Ed’ Mazria’s role in the environmental movement for a while. How would you characterize it?
ACR: His case—and it’s a good and simple one—is that buildings really matter. He’s trying to shift how we design them, and how we design architects, as well.
MCP: How does his advocacy differ from someone like Bill McKibben http://www.350.org/?
ACR: I think Ed is focusing on things that are imminently more doable. Bill is very good about building movements around numbers, but has not adequately articulated how you get there. In other words, besides yelling at fossil fuel companies. That may be something that needs to be done, but it’s not a path that will actually change a lot of things. Ed is working in a space where there’s a lot to be done, both on existing structures and on new buildings. There’s huge potential to make big gains.
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Categories:
Cities,
Climate Change,
Design,
Education,
Energy,
Q&A,
Research,
Science,
Smart/Intelligent,
Sustainability,
Technology