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April 2010Features

Mix It Up: The Deal

By Martin C. Pedersen

Posted April 14, 2010

Todd DeGarmo, the CEO of Studios Architecture, is clued in to an elemental truth about architecture: “We have learned that there is no project without a deal.” And for 200 Fifth Avenue, which was at one point slated to become condominiums, Studios played an important role in helping David W. Levinson, the chairman of L&L Holding Company, close the 2007 deal for the property and, soon afterward, attract Grey as the anchor tenant.

DeGarmo didn’t just tour the gutted building with Levinson at the outset. (“We were immediately excited,” the architect says, “because we’d done work on similar buildings in D.C. and Paris.”) He also made design presentations to help the developer secure financing, met and collaborated with the leasing broker, and, very early in the process, pitched Grey. “By combining the design with the financing and space brokerage, the time was significantly compressed,” DeGarmo says. “The marketing of the building was essentially integrated as part of the design.”

Levinson had a more immediate and pragmatic goal. “Our motivation in bringing on the design team early was to assess the feasibility of the deal itself,” the developer says. “It did speed up the process, but that was not the intention. We had to know what it would take—financially and from an architectural standpoint—to move forward.”

Mix It Up” sidebars:

   Preservation

   Lighting

   Signage

   The Deal

   Materials & Products

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From the Ground Up

An award-winning planning study for Lower Manhattan may act as a model for future development.

Mix It Up

200 Fifth Avenue—an old and venerable building in New York’s Flatiron District—gets a stunning modern makeover by Studios Architecture.

Mix It Up: Preservation

Because 200 Fifth Avenue is a historic building, the plans to renovate it had to run an all-too-familiar gauntlet: New York City’s Landmarks Preservation Commission, long seen as an enemy of modern additions.

Mix It Up: Lighting

The kind of work environment Grey Group wanted—a series of memorable and clearly differentiated spaces, with a minimum of interior walls—couldn’t have happened without Clark Johnson’s ingenious mix of fixtures.

Mix It Up: Materials & Products

Taking a cue from the client’s desire for a less corporate look, Studios’ interiors team looked for authentic textures and finishes.

A timeline of the real-estate deal

(Background: The concrete wall Studios left exposed in a second-floor conference room)
Sarah Palmer
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