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December 2011In Production

Beating the Blues

Ville Kokkonen has created a pristine light-therapy lamp for Artek.

By Mason Currey

Posted December 15, 2011

MANUFACTURER
Artek
www.artek.fi

For sufferers of seasonal affective disorder, or SAD, light-therapy lamps have been shown to improve the lethargy and moodiness that can come with the winter months. But, as objects, they are typically quite ugly. “People use them and then they put them away,” says Ville Kokkonen, the design director of Artek, who observed light-therapy users during the research phase for White, his new collection of fixtures. Its centerpiece is a therapeutic tabletop light that winter depressives can proudly leave out on display—and whose pristine form should appeal to any admirers of clean modern design.

From the beginning, the design of Bright Light 1, as it’s called, was guided by its therapeutic potential. To get a fixture certified as a light-therapy device, it must first meet certain size and brightness standards (in Europe, anyway—there is no such certification in the United States). “One of the requirements is that the light level on the panel be equal from corner to corner,” Kokkonen says. “And that’s something that we looked at very carefully, that the light is sharp on each part of the surface. It actually became our main design driver—I wanted the white light to be as perfect as we could make it.” Here, Kokkonen points out the other key details of his mood-enhancing light box, which debuted at the Milan furniture fair last spring.

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There are two fluorescent light tubes behind the Plexiglas panel. They’re 36-watt, regular fluorescent bulbs that anyone can get from the store.

It’s painted Artek white. We tested different shades, but we ended up seeing that, actually, the Artek white reflects the light perfectly.

We wanted the dimmer to be the off switch as well, but the price, for some reason, would have gone much higher. We ended up having to use it only as the dimmer, and then the cord has a switch—which, to me, is a big pain, but this is one of the few compromises we had to make.

The box is a very thin Baltic birch veneer, nicknamed “airplane plywood.” Because it has thinner layers of veneer, it’s stronger. And it doesn’t get hot on the outside, so we didn’t have to use ventilation holes.
Tuomas Uusheimo
VILLE KOKKONEN (b. 1975) studied design at the Ontario College of Art and Design in Toronto and the Aalto University School of Art and Design in Helsinki. From 2001 to 2004, he worked in the latter’s Smart Products Research Group. In 2006, he joined Artek as its research and product-development manager, and in 2009,
was appointed its design director.
Courtesy Artek
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