
The Academy Museum is distributed across two separate buildings, the former May Company department store, and a futuristic sphere. Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
The first time architect Renzo Piano met Steven Spielberg, the legendary filmmaker pointed out to him that a movie, like a work of architecture, “is a sequence of light and shadow.”
Spielberg’s dictum, recounted by Piano at a media briefing yesterday at the Plaza Hotel in New York, is a guiding principle in his studio’s dramatic design of the Academy Museum of Motion Pictures, now under construction on Wilshire Boulevard in Los Angeles.
Piano’s scheme, designed in collaboration with Gensler’s Los Angeles office, is unadulterated Hollywood showmanship: From a renovated Streamline Moderne landmarked building, visitors will pass into the museum’s most sensational element, a futuristic 45,000-square-foot concrete-and-glass sphere that Piano refers to as a “flying vessel.”
The renovated ‘30s-era portion (formerly the May Company department store) will house special exhibits and showcase items from the museum’s permanent collection, which boasts nearly 200,000 films and videos, more than 12 million photographs, and memorabilia from the collections of Cary Grant, Alfred Hitchcock, and Katharine Hepburn.

Operable panels in the sphere’s glass dome will facilitate passive cooling. Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
Visitors, moving from the old building to the gigantic sphere via bridges, will “embark on the spaceship and go on a journey,” said Piano. This floating volume (supported on a series of piers that isolate the building seismically) chiefly hosts a 1,000-seat movie theater capable of multiple film formats, from laser projections to nitrate film. “It’s the best movie theater in the world for sure,” said Piano.
A domed observation deck above the theater will provide views out to the surrounding Hollywood Hills and across Los Angeles, creating the sensation of floating above the cityscape.
The Academy Museum joins an increasingly eccentric “Miracle Mile” museum district, including KPF’s bombastic (and bombastically maligned) Petersen Automotive Museum, and the ever-morphing LACMA campus, which includes Piano’s own 2008 Broad Contemporary Art Museum (a critical ‘meh’) and his 2010 Resnick Exhibition Pavilion, as well as a future addition by Swiss architect Peter Zumthor. Like it’s neighbors, the Academy Museum—which opens in 2019—will strive for star power on the corner of Wilshire and Fairfax. But that might just be precisely the point, according to the architect.
Said Piano, “It’s a cinema, it’s a movie.”
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From a public plaza, visitors will be able to enter the museum's 1,000-seat cinema. The spherical volume is base-isolated, meaning it will move with a seismic vibrations, and ultimately, withstand damaging earthquakes.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
From a public plaza, visitors will be able to enter the museum's 1,000-seat cinema. The spherical volume is base-isolated, meaning it will move with a seismic vibrations, and ultimately, withstand damaging earthquakes.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
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The 1,000-seat auditorium in the sphere will be capable of showing virtually any film format.
Courtesy Renzo Piano Building Workshop/ A.M.P.A.S
The 1,000-seat auditorium in the sphere will be capable of showing virtually any film format.
Courtesy Renzo Piano Building Workshop/ A.M.P.A.S
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The domed observation deck topping the sphere will offer sweeping views of the Hollywood Hills.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
The domed observation deck topping the sphere will offer sweeping views of the Hollywood Hills.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
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A rendering of the renovated Streamline Moderne building, which will contain the museum's primary exhibition spaces.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
A rendering of the renovated Streamline Moderne building, which will contain the museum's primary exhibition spaces.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
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A rendering of the museum lobby, housed in the 30s-era building.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
A rendering of the museum lobby, housed in the 30s-era building.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
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An aerial rendering of the Academy Museum's campus. To the right, is KPF's Petersen Automotive Museum; Behind the Academy Museum is LACMA's campus, including earlier Renzo Piano buildings.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
An aerial rendering of the Academy Museum's campus. To the right, is KPF's Petersen Automotive Museum; Behind the Academy Museum is LACMA's campus, including earlier Renzo Piano buildings.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S/L’Autre Image
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The museum, shown here under construction, will wrap up in 2019.
Courtesy Joshua White/JWPictures/A.M.P.A.S.
The museum, shown here under construction, will wrap up in 2019.
Courtesy Joshua White/JWPictures/A.M.P.A.S.
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Construction on the sphere.
Courtesy Joshua White/JWPictures/A.M.P.A.S.
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A view of the sphere under construction.
Courtesy Joshua White/JWPictures/A.M.P.A.S.
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Courtesy Joshua White/JWPictures/A.M.P.A.S.
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A construction shot of the theater.
Courtesy Joshua White/JWPictures/A.M.P.A.S.
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Courtesy Renzo Piano Building Workshop/A.M.P.A.S
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Renzo Piano's sketch of the Academy Museum.
Courtesy Renzo Piano Building Workshop/A.M.P.A.S
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Shirley Temple's Oscar for eight films she made in 1934.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
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A zoetrope, used to create the illusion of motion before animated films.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
A zoetrope, used to create the illusion of motion before animated films.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
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A pair of the iconic ruby slippers worn in the 1939 film The Wizard of Oz.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
A pair of the iconic ruby slippers worn in the 1939 film The Wizard of Oz.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
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An 1887 collotype plate by Eadweard Muybridge.
Courtesy Core Collection, Margaret Herrick Library.
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Alien mask created for the 1979 film Alien.
CourtesyJoshua White/JWPictures/A.M.P.A.S.
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