
Courtesy Joe Fletcher Photography
“It was in really bad shape,” says architect Anne Fougeron. Fougeron, founder of her eponymous San Francisco firm, was asked by Norico and Jim, a young couple with a six-year-old daughter, to remodel a Victorian home in the city’s Noe Valley neighborhood. The residence, untouched since the 1920s, was “unlivable,” Fougeron says. “Frankly, the plumbing didn’t work and the bathroom was completely decrepit and the kitchen was non-existent.”
The couple wanted the place gutted and remodeled into a modern home, yet due to the historical importance of the house’s street-facing facade, Fougeron was legally obligated to preserve some of the old foundations. “We had no choice. We had to preserve that and partially part of the roof too,” Fougeron tells Metropolis. “We could paint the house a new color, but that was about it.”

Courtesy Joe Fletcher Photography
Luckily for Fougeron, Norico and Jim loved the idea of a bright color palette. The bold orange stairs in the middle of the house provide a common visual element that ties the three floors together. “From the beginning, we suggested that we might do things to enliven the interior, and they loved the idea of using color. They liked bright colors, and particularly the idea of [the] staircase.”
All the cabinets on each floor were painted various shades of blue, with sprinkles of purple and yellow furniture scattered throughout. “We always say color is great because it’s a cheap,” Fougeron says. “It doesn’t cost that much money, it’s very effective and makes for a kind of richer environment, particularly in a house where the staircase is the main feature.”
With all its eccentricities, Fougeron says Norico and Jim love the house. “People don’t exactly know what they want at first,” she adds. “Things didn’t fundamentally change but there was a lot of finessing…and I think they are very happy.”
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The back facade, tilted at 9 degrees, is built from a custom field-glazed steel frame with insulated glass.
Courtesy of Joe Fletcher Photography
The back facade, tilted at 9 degrees, is built from a custom field-glazed steel frame with insulated glass.
Courtesy of Joe Fletcher Photography
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Since the house is in a narrow lot (65 feet x 25 feet), solar orientation and natural light were crucial for the home to feel warm and open.
Courtesy of Joe Fletcher Photography
Since the house is in a narrow lot (65 feet x 25 feet), solar orientation and natural light were crucial for the home to feel warm and open.
Courtesy of Joe Fletcher Photography
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Traditional Victorian homes are usually poorly lit. By suspending the floors in the house's glazed rear, Fougeron aimed to offer brightness and fluidity throughout.
Courtesy of Joe Fletcher Photography
Traditional Victorian homes are usually poorly lit. By suspending the floors in the house's glazed rear, Fougeron aimed to offer brightness and fluidity throughout.
Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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Courtesy of Fougeron Architecture
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Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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The bright orange stairs provide a consistent visual element that ties the three floors together.
Courtesy of Joe Fletcher Photography
The bright orange stairs provide a consistent visual element that ties the three floors together.
Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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"The daughter loves her bedroom," says Fougeon. "She got a custom little bedroom there, [with] built-in furniture and her own bathroom."
Courtesy of Joe Fletcher Photography
"The daughter loves her bedroom," says Fougeon. "She got a custom little bedroom there, [with] built-in furniture and her own bathroom."
Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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When asked if the glazed rear has ever become a privacy issue, Fougeron says, "Not really, they face out towards a mid-block and really people don't face back at you."
Courtesy of Joe Fletcher Photography
When asked if the glazed rear has ever become a privacy issue, Fougeron says, "Not really, they face out towards a mid-block and really people don't face back at you."
Courtesy of Joe Fletcher Photography
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Courtesy of Joe Fletcher Photography
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