Art Institutions Are Going Brand Crazy
Contemporary art museums and galleries are recasting themselves with an almost corporate fervor.
Contemporary art museums and galleries are recasting themselves with an almost corporate fervor.
Ilse Crawford’s brand of immersive empathy results in rooms of uncommon warmth, tactility, and grace.
Moss—impresario, provocateur, and inventor of the store-as-museum concept—is the retailer most responsible for transforming Soho and taking high-end design mainstream. Now he embarks on a new adventure. Moss, the iconic shop, is gone. In its place, Moss Bureau, the consultancy. Here, he talks about his decision to “kill” his beloved store and reinvent the brand as a showcase for the gloriously messy business of design.
In a heroic effort to source and fabricate each part of an everyday appliance himself, Thomas Thwaites produces the world’s most expensive toaster.
Once they have left the factory floor and are actually being put to use, products get deployed in myriad unintended ways. It’s a lesson the industry should take to heart.
With boyish enthusiasm and an ingenious approach to problem solving, Thomas Heatherwick magically merges design, sculpture, and engineering.
Inspired by his work with influential architects, Cecil Balmond searches for that exquisite blend of structural form and structural logic.
Although he has created a dizzying array of products, Ross Lovegrove (a.k.a. “Captain Organic”) has his sights set on bigger issues.
Antonio Citterio has designed everything from sofas to high-rise condos, but don’t expect a signature style or a grand overarching theory.
“I don’t ever talk about this,” says Jonathan Ive, attempting to describe the deep working relationship his team has developed over the years. “I don’t think anyone would understand.” As head of design at Apple, he is arguably the most…
At a farm in rural Holland, Claudy Jongstra raises sheep, revives the ancient art of felting, and creates singular textiles.