The curators of The Rise of Everyday Design emphasize that the movement did not peter out in the early 20th century as commonly understood, but projected a legacy well into the 1960s.
Author: Lila Allen
Lyndon Neri and Rossana Hu’s Shanghai-based atelier has generated a prolific output of design ranging from hospitality and retail interiors to cultural architecture and product.
Metropolis dives in with Maison et Objet’s 2019 Designer of the Year, discussing his work and his goals for the Parisian fair.
The restaurant, located in northern Bogotá, fluidly connects its interiors and exteriors with glass, concrete, and wood.
Renegades: Bruce Goff and the American School of Architecture at Bizzell presents a fascinating chapter of American architectural education.
The 60-seat Harlan+Holden Glasshouse Café includes custom seating by the designers for Wiener GTV Design, bespoke stone floors, and lighting by Louis Poulsen and Rubn.
Bitters helped define an expressive, even carnal side of modern Californian clayware; this Heath collection echoes his raw and dramatic sculpted works.
The eclectic motor-lodge-turned-boutique-resort, scheduled to open next month, takes its cues from Joni Mitchell, Serge Gainsbourg, and Pérez Prado.
With its rich material palette and crafty millwork, the Bryant is an exercise in humble luxury and takes cues from its historic neighbors.
Pacific Standard Time, whose interiors are by New York–based firm Parts and Labor Design, is awash in a palette of terrazzo, textural glazed tile, leather, and wood galore.
The Italian designer teamed up with Glas Italia to produce the low-profile table, which uses extra-light 12-millimeter-thick glass.
With a passion for environmental graphics, designer Joe Lawton has built a practice dubbed Media Objectives (M-O) within the architecture firm Valerio Dewalt Train Associates (VDTA).
The architects worked around the landmark’s many historical elements—some beautiful (plaster ceilings, looping corbels), some odd (the lobby’s red-and-yellow terrazzo floors).
The Los Angeles-based design duo meticulously develops each of their products, fostering a unique blend of beauty and sustainability.
Big Room, a temporary workplace constructed inside an airplane hangar, brings teams together by leaning into scrappy solutions and a sense of fun.
"Form Us With Love" is both the name and mantra for this multidisciplinary design studio founded in 2005 by Jonas Pettersson and John Löfgren.
The new DeKauri Vanity combines a cabinet, sink, mirror, and fixtures into a single show-stopping piece of furniture.
The Swedish designer relied on old school handicraft methods to create an utterly unique new chair for the Italian furniture manufacturer.
The striking facade features four shades of golden terra-cotta tiles, all arrayed with a jazz-like rhythm.