Composed of five variously sized pods, the steel and concrete structure is a dramatic medley of function and aesthetic, inspired by the region’s sea urchin fossils.
Designed by John Wardle Architects, the new home of Australia's oldest music school breaks way from the monastic model of the conservatory.
The Chipperfield-designed, Pompidou-affiliated arts space fits into a unique but precarious spatial and development context, our correspondent writes.
The local firm, which has worked on several reuse projects, converted the 1890s-era building into a photography gallery.
The Al Musallah Prayer Hall draws on Abu Dhabi’s rich history and desert landscape.
The dance and performance center, designed by Barcelona architects Barozzi/Veiga, emphasizes public space, with no less than three terraces.
The proliferation of these events begs the question: Who is the targeted audience of a biennial, and whom does its staging benefit?
Over 12 years in the making, the structure conceals most of its program in a subterranean storage area.
Designed with local firm Wowhaus, the park contains an amphitheater, circulation routes, and new entry points into the museum’s porous new basement.
The Bauhaus turned 100 this year, and a crop of museum buildings sprang up for the celebration.
The museum’s revamp includes a transformed lobby, a black-box theater, and thematically-driven galleries.
The renovation, undertaken by local firm LMN Architects, had to reconcile contemporary requirements with the museum’s landmarked features.
Opened last month, the unusual structure reconciles the features of a challenging site.
A renovation of the Phillip Johnson and John Burgee–designed Crystal Cathedral adds algorithmically-modeled shades to protect the congregation from the sun.
Why do bad guys in the movies always live in "good" houses? A new book digs into that question.
Despite some smart research, this edition's glut of information and ignorance of context reflects architecture's crisis of curation, our critic writes.
The most forward-thinking aspect of the mega-Pace isn't the art it holds, but rather, the fabulous terrace built for schmoozing and selfies.
The Odunpazarı Modern Museum draws from the traditional wooden houses of Eskişehir, a university town with high hopes of becoming an arts hub.
Organized by Alessandro Mendini himself, the showcase includes work by his contemporaries and is staged in a building he helped design.
The 2019 edition of the triennale imagines a world free from the pursuit of GDP—but is it enough?
