Metropolis Magazine - Metropolis Magazine January 2008
Why are sustainable ideas rarely recognized by mainstream design awards programs?
A new exhibition at the Cranbrook Art Museum depicts Eero Saarinen as an architect way ahead of his time.
EcoDomo’s new tiles are made in South America from BMW car-seat scraps, then hand-stitched by Amish artisans.
An environmental learning center—nestled into a rustic 250-acre nature preserve—plays a dual role as symbol and teaching tool.
A graduate program at the School of Visual Arts trains the next generation of design critics.
Two young architects bring a down-to-earth brand of tropical Modernism to the balmy Mexican coast.
By teaming its architecture and interiors divisions from the outset, SOM raises the bar on green building.
A telecom giant courts public approval with artful, technically innovative tower designs.
SANAA’s New Museum makes compelling use of an elemental form.
Jonathan Olivares’s Smith is a file cabinet, stool, and table—all in one.
Evo Design’s new kitchenware line is made from recycled plastic.
An architect best known for teaching and theory builds his first project—a Mies-inspired glass house—as a vessel for the disappearing self.
The principles of green design dovetail almost perfectly with the organic process of fine wine-making.
Former NEA design director Jeff Speck talks with Maurice Cox, the architect recently selected to succeed him.
A chronic problem with employee retention led this pragmatic client to building green.
Three experts look at the green strategies behind a model apartment created as a showcase for sustainable thinking.
Could a minimalist structure on a deadly stretch of highway help save lives?
Philadelphia, a city of tiny row houses, might be just the place to build a new version of the American dream: green and affordable.
Manufacturers and designers experiment with virtual retailing, synthetic materials, and other simulations and imitations of reality.
The 2007 IIDA/Metropolis Smart Environments award winners may, once and for all, blow apart the widely held belief that clients don’t care about green design. These clients specifically wanted buildings and interiors that would be good for their workers’ health and well-being—and, incidentally, their bottom lines. These five spaces represent such diverse interests as the U.S. government, a condo developer,…