With its promise to make every seat great, the vineyard-style concert hall has proliferated. But this format is breathtakingly at odds with the spirit of the original vineyard halls.
Silent Field 2.0, a new item from Artemide North America designed by Carlotta de Bevilacqua and Laura Pessoni, aims to remedy the shortcomings of the open-office plan.
The Oscar-winning composer and famed German electronic music producer released an album of the performance earlier this year.
Nearly a decade after severe flooding inundated the University of Iowa’s campus, its music department is reunited in a new building by LMN Architects that is both a technological and civic asset.
