So much has already been made of the so-called Modernist progenitors, but Metropolis editors and contributors produced commentary that sought to fill in—and question—some of the gaps.
The Bauhaus turned 100 this year, and a crop of museum buildings sprang up for the celebration.
Though still largely unknown, the Belgian-born architect and artist forged ideas and places—including the Bauhaus’s predecessor—that defined 20th-century design.
In Gyorgy Kepes: Undreaming the Bauhaus, historian John R. Blakinger investigates the life of the Hungarian artist, the last of the Bauhaus generation in America.
Architectural historian Beatriz Colomina explores how the Bauhaus harbored deeply transgressive ideas and pedagogies.
Before moving on to America, Walter Gropius, László Moholy-Nagy, and other Bauhaus protagonists spent a productive spell in the U.K.
Filled to the brim with period photographs, the book depicts several dozen female Bauhäusler in various guises and often playful moods.
The Bauhaus was founded on the promise of gender equality, but women Bauhauslers had to fight for recognition. A new book recounts the achievements and talents of 45 Bauhaus women.
The new Bauhaus Museum Weimar—which just opened earlier this month—reveals the school’s forgotten and never-seen-before early history.
The Dessau-Roßlau municipality rehabbed a slew of school's signature works; the buildings reopen this month and are the subject of a new narrative tour called Originals Retold.
Before its association with functionalism and the International Style, the Bauhaus glamorized folk culture and occasionally veered into mysticism.
An eye-opening exhibition at the Institute for Contemporary Art/Boston explores the life and times of Black Mountain College.
A special exhibition at the Bauhaus-Archiv celebrates the museum's newest acquisitions.
