Melbourne's NGV Triennial Ponders the Distant Past and a Post-Pandemic Future
Artists and designers such as Kengo Kuma, Lee Ufan, and Faye Toogood explore themes of materiality and domesticity in one of the the year's few large-scale art events.
Artists and designers such as Kengo Kuma, Lee Ufan, and Faye Toogood explore themes of materiality and domesticity in one of the the year's few large-scale art events.
Presented at Philadelphia’s Fabric Workshop and Museum, the hyperrealistic tableau employs household items, sounds, and visual effects to assess the current state of affairs.
In Cambridge, Massachusetts, Starlight Square serves as an ideal community center in the age of social-distancing.
Murmuration, a SO-IL-designed installation at the High, draws attention to how development in the city might become more porous.
The designers have installed a dramatic, crawling landscape of vines in the Gobelin Room at Austria’s Schloss Hollenegg for Design.
New York designers Nancy Hou and Josh de Sousa create public art installations driven by practicability, adaptability, and a keen awareness of what delights.
Occupying lands threatened by the contested Pacific Connector Pipeline, the trio of thatched pavilions subvert the “human supremacy of shelter.”
Rope artist Windy Chien adapts her creative medium to a range of scales for commissioned works.
Through installations, conferences, and teaching, the Michigan-based studio engages critically with technology.
The Transformer-type installation incorporated a kitchen range, an entertainment system, a vanity, and a bed.
Founded by sisters Tara and Tessa Sakhi, the intercontinental studio aims to change how people interact in cities.
On view through December 19, David Hartt: The Histories (Le Mancenillier) explores themes of diaspora and belonging.
"For Forest: The Unending Attraction of Nature" is a temporary art intervention by Klaus Littmann that turns a stadium into a living forest.
With works ranging from glitchy jacquard to architectural-scale quilts, these artists are pioneering wild and innovative aesthetics.
Studio INI's Urban Imprint installation at the A/D/O design center will invite visitors to push back—quite literally—on reality.
Fashion brand COS commissioned the 3.2-ton structure, which was designed by London-based architect Arthur Mamou-Mani.
Prismatic, designed by Brooklyn-based firm Hou de Sousa, uses hundreds of colorful cords to create a kaleidoscopic experience.
The installation, drawing from technology used in the designer’s winning pavilion for MoMA PS1 last year, makes its first stop in New York this weekend.
The boat project, created using a marbling technique and sponsored by the Public Art Fund, will visit docks around New York this summer.
The studio's recently-released tile collection with Decoratori Bassanesi is just the latest in an ongoing exploration of materials and their visual effects.