Gang calls the installation, which will soon open at the Biennale's U.S. Pavilion, the “antithesis of a man on a horse up on a pedestal.”
The Memphis alum's still lifes and maquettes are reminiscent of the erstwhile collective's works, only more muted and shorn of the eccentricities.
Associate curator of Modern Design and Decorative Arts, Christian Larsen, explains why the Metropolitan Museum of Art decided to revisit and exhibit the "happy" works of Italian designer Ettore Sottsass.
Nathalie Du Pasquier reflects on her beginnings, contemplates Memphis’s enduring legacy, and touches on the blurring of art and design.
A new monograph offers a look at lesser-known aspects of the Italian designer’s work.
There were three standout themes at this year's furniture fair in Milan.
