Opinion: The writer and historian Mario Carpo makes a plea for architectural history, albeit one more sensitive to our times.
The "post-digital" valorizes the ordinary and renders it to look like the past.
The cycle of digital innovation in architecture is far from over.
Metropolis's director of design innovation discusses her experiences at a carpet exhibition in Xinging, which demonstrated China’s efforts to connect with the livelihoods of a polyglot regional economy.
What will the office look like in the near future? Three venerable names in design offer their speculations.
What will the office look like in the near future? Four designers offer their speculations.
What will the office look like in the near future? Five architects offer their speculations.
The #MeToo movement and allegations against Richard Meier should push us to rethink how we evaluate architectural merit.
Metropolis's director of design innovation discusses the influential women she has invited for a panel discussion this Thursday titled "Women of Influence in the Business of Design."
Susan S. Szenasy, director of design innovation at Metropolis, weighs in on mega-developments, affordability, resiliency, and diversity in cities.
Collage used to be a crucial image-making technology of the mechanical age. But its time has passed, says historian Mario Carpo.
Architects may not like it, but sprawl isn’t going away. Frank Lloyd Wright not only understood that, he dared to reimagine it.
Betsky, the President of the School of Architecture at Taliesin, weighs in on the role of design in the aftermath of the Las Vegas massacre.
The architect and political theorist presented a call to action at the New Museum’s IdeasCity Conference, demanding a "New Public Imagination."
From the perspective of architecture and design, the migration crisis must go beyond the simple humanitarian impulse, argues Urban-Think Tank.
I decided to study architecture to help improve the conditions of my city and country. However, after arriving at university, I quickly realized that humanity was far from the focus of my studies.
Housing discrimination has not been eradicated. Its methods are simply more subtle, and sophisticated, than ever before.
An analysis of Frank Lloyd Wright's little-known design for the Rosenwald School elucidates his views on both education and race.
The Museum of Art, Architecture and Technology (MAAT) in Lisbon, by Amanda Levete, may be a jewel, but it shows a complete and utter disregard for its context.
So you say the U.S.–Mexico border wall is not the same thing as the Iron Curtain. But both are symbols of a massive failure to negotiate humane resolutions to complex problems.